Soon I realized that I could use the time to experiment and get some great experience at the console, and I put the word out that you could get free studio time at my Sunday sessions. This attracted a crowd of exciting young musicians. Among them was Jimmy Page, who my pal Colin Golding had told me about. They were both at Kingston Art School—not far from where we all lived—along with Eric Clapton. I suggested that I might be able to get Jimmy some paying sessions, but initially he declined, saying he would lose his grant at school if it became known that he had an income. It was not long before he changed his mind, and in a short space of time he had replaced Big Jim Sullivan as the number-one session guitarist in London.
I stayed on at the church as a server and started going to the church youth club on Wednesday nights. Among other delights, we would have discussion nights and play table tennis and were taught ballroom dancing, which didn't appeal to me at all, but at least you got to put your arm around a girl legitimately. One evening we had a talent night. I remember a boy in his early teens no one had seen before, who sat with his legs swinging over the front edge of the stage and played an acoustic guitar. He was pretty good, he may have even won, but I don't think anyone in the hall that night had any idea that he was to become such an innovative force in modern music. This was to be my first meeting with Jimmy Page.
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